For a more in depth discussion of lighting see my previous post here. Lighting has the most impact on how your work is viewed. It is important you paint it in as close to a natural light setting as possible to give it the best chance in all the other places you may show it. The first thing is to make sure you have enough light,
I highly recommend spending the money to purchase some daylight fluorescent bulbs for your painting situation. They are efficient with power consumption, don’t output a lot of heat, relatively inexpensive and long lasting, (my bulbs last 30,000 hours).
You want them to give you enough light to cover your easel and palette at the same time. This usually means mounting them in the ceiling or high enough so they are not in your way. I use a four foot long four bulb ceiling fixture with T8 Lumichrome bulbs. Make sure the fixture is the correct size for the bulbs. The sizes are T5, T8, T10,T12 and then the length of the bulb 12, 24, 36, 48 inches or longer.
If you work digitally proper lighting is still important for other reasons. Don’t depend on your monitor to be your light source. Make sure your desk setup has bright enough lighting to reduce eye fatigue. Nothing will ruin your eyes faster than sitting in a dark room staring at a brightly lit monitor. Daylight bulbs are a good solution for digital workplaces also in that they help reduce Seasonal Affective Syndrome and improve overall mood, perception and energy levels. A desk lamp with daylight corrected bulbs is a good solution if you don’t have room for more overhead fluorescents.
Next week I will discuss studio ergonomics.