Friday, April 17, 2009

Armand Cabrera Workshop


There are only a couple of spots left in the class

Arts Center of Coastal CarolinaApril 26 - May 1

Evening Orientation * 3 days painting in studio * 2 days painting outdoors

9:00 AM - 4:00 PM

This Armand Cabrera workshop is designed for all levels of students…including professionals who wish to take their painting skills to the next stage. This informative workshop will feature daily demos and students will paint at their easels.(Armand will demo in oils only)Armand will focus on all aspects of successful painting: concept, drawing, form, composition, color and harmony.

The Monday demo is open to the public, even though it is part of the class, this demo is free to anyone.


Hilton Head Island, South Carolina

Monday, April 279 am - 11 am

Arts Center of Coastal CarolinaDisney StudioOpen to the public

Free No need to register---just show up!
Joe Paquet 12th Annual Bootcamp Workshop, St. Paul, MN
Seven Days

If you are serious about painting this is the class for you. Joe is one of the best painters in the country and he is a great teacher. This is a no nonsense class designed by a master of his craft. Don't miss this chance, it only happens once a year.

For those of you unfamiliar with his work, you can see it on his website

Here are the particulars for the class.

Sunday May 31st - Saturday June 6th $850
Confronting the vargaries of working directly from nature is one thing; making good subjective choices which lead to artistry is something else. During this week you will be introduced to methods and ways of looking which will help you with both. All levels welcome with the understanding that you bring a healthy mix of humility and patience.— Joe Paquet
Break Down of the Week
Day One: Lecture on the prismatic pallet.Discussion will include:
Framing out an effect of light
Structuring an underpainting
Working in close, clean value
How color is affected prismatically by the angle of the sun and prevailing atmoshperic conditions
Days Two, Three and Four: Field work (two studies per day) Frequent critiques throughout the day
Day Five: In StudioMorning: Group critique of field workAfternoon: Begin block-in from chosen field work
Day Six and Seven: Continued studio work to fully realize your studio painting.
To register download this registration form.
Have questions, call: (651) 224-2975

Sunday, April 12, 2009


Armand Cabrera
This brief history was originally written by me and published on the website five years ago. I am happy to update and share it with a new audience.


Prior to the 19th Century, landscape painting was used as the basis for allegorical and narrative themes. The landscape was idealized. Jacob van Ruysdael and Claude Lorrain captured effects of perspective and atmosphere. However; their paintings were composed much like a set designer would create a backdrop for a theater production. For these artists, outdoor painting was confined to sketches or preliminary studies for reference.


Outdoor painting has a relatively short history when measured against the great span of art across the centuries. It was not until the early 1800’s that artists rejected the contrived landscapes of their predecessors and turned to nature for their inspiration. A small group of Englishmen, most notably John Constable and Joseph William Mallord Turner, first produced finished works directly from nature.


In 1824, John Constable’s paintings, “View on the Stour” (1819) and “The Hay Wain” (1821) were exhibited at the prestigious Paris Salon, winning Gold Medals. These works had a profound influence on the course of landscape painting in the 19th century. In France, Jean Batiste Camille Corot also painted scenes foregoing romanticized views.



The Barbizon School1830 – 1870
Originating in France, their members included Theodore Rousseau, Constant Troyon and Claude Daubigny. Their paintings were consdidered crude and unfinshed by the standards of the day.

The Hudson River School 1830’s – 1900’s
In America, the expansion in the West beckoned artists to paint these new lands. Collectors were eager to see the wilds of America through their paintings. The first and most notable painters in the Hudson River School were Thomas Cole and Asher Brown Durand. Following in their footsteps were Frederick Edwin Church, Thomas Hill, Albert Bierstadt and William Keith.


I Macchiaioli 1850 - 1900
A group of painters in Tuscany. Influenced by the painters in France, they rejected the academic romanticism of the time and turned to modern life for inspiration--again working directly from nature. Silvestro Lega, Giovanni Fattori and Vincenzo Cabianca were some of the notables in this group.


The Impressionists 1860’s - 1903
The Barbizon School and I Macchiaioli helped to form the great movement of the Impressionists. Beginning in France, they held their first show in1874. The Impressionists rejected the closed system of the academies. They embraced modern life as a theme. Claude Monet and Camille Pissaro were prominent figures in the group. The Impressionists sought to capture the effects of atmosphere, basing their art on the science of color and light. Most of their work was painted outdoors in a few hours time. For larger works, they would return to the same location, at the same time of day, and complete the painting.


American Impressionism1870’s – 1920’s
The Americas were influenced by Impressionism slowly. The first American artists to embrace this new style were Mary Cassatt, John Joseph Enneking and Childe Hassam. American Impressionism was a blend of academic training and Impressionist thought. This technique was recognized by more spontaneous brushwork and a lighter palette than the Hudson River School’s style. A few of the painters at the turn of the Century defied categorization---John Singer Sargent and William Merritt Chase, to name a few.


1920’s – 2000
20th Century outdoor painters had a unique opportunity to choose whatever style they felt best reflected their belief about painting. Many fine painters worked through the middle of the century in a Representational/ Impressionist style. Carl Rungius, Sir Alfred Munnings, Edgar Payne, Frank Benson, Edward Redfield and John Fabian Carlson are noteworthy.


Today’s Contemporary painters have discovered outdoor painting again. Building on the past, their commitment to works of quality have created a new Golden Age of painting.