Friday, December 12, 2008
Brushstrokes carry a message whether you will it or not. The stroke is just like the artist at the time they make it. All the certainties, all the uncertainties, all the bigness of their spirit and all the littleness are in it.
Brush Calligraphy is the stylistic application of your paint.
The paint is applied without overworking it once you have laid it on the canvas. Brush calligraphy can be instinctive as an outgrowth of your style…or an intentional approach to strengthen the composition and design of your painting. Brush calligraphy shouldn’t be haphazard. In other words, a conscious approach to your brush application is always preferable to an unconscious one. Effective brush calligraphy is often a valuable way of intensifying passages of interest and design overlooked by many artists who restrict their thinking in terms of color and value.
Many times, a small sketch has more life than a larger studio painting because of brush calligraphy. The quality of a stroke you make with the flick of your wrist on a small painting becomes a challenge to reproduce on a larger scale because the effort of your whole arm is needed to gain the identical outcome. When you consider the relationship between the size of the stroke, relative to the size of the canvas, you will understand the challenge when using a large brush with adequate paint for the result you wish to accomplish.
Paint strokes are not just about direction or size…they also encompass the thickness of the application. When thicker passages of paint are applied to a painting surface, you create a sculptural effect. The combination of these effects takes your painting beyond the idea of reproducing what you see. Brush calligraphy offers the viewer layers of interest beyond the initial two dimensional image and the ability to render it. A purposeful approach to brushwork makes a painting a forceful statement.